My work explores the visual tension between illusion and surface. Drawing on the hyperreal strategies of trompe-l’oeil and the ornamental language of Art Nouveau, I construct images that blur the boundary between the flatness of painting and the spatial illusion of objects emerging from it.
Through this approach—what I refer to as Trompe Nouveau—familiar forms and contemporary iconography are rendered with heightened clarity, inviting the viewer to reconsider the subtle beauty embedded in everyday visual culture. Light, shadow, and decorative structure work together to create moments where two-dimensional images appear to inhabit three-dimensional space.
My practice moves fluidly between traditional oil painting and digital processes, combining classical techniques with contemporary tools, and vice versa, to explore how both can inform each other. The name FLuX reflects this ongoing movement—an artistic practice grounded in constant evolution and the shifting relationship between illusion, design, and perception.